When Therapy Goes Public: Copyright Gatekeepers and Sharing Therapeutic Artifacts on Social Media

Authors

  • Amanda Reid UNC Chapel Hill
  • Pablo Miño University of North Carolina at Chapel Hill

Keywords:

social media, affordances, therapeutic artifact, sharing, health communication, copyright gatekeepers, risk avoidance, online takedown, music therapy, copyright law, COVID-19

Abstract

This study offers new insights into (1) sharing health-related information on social media, (2) copyright gatekeeper motivations, and (3) the emotional injury for improper takedowns of online content. Through 18 in-depth interviews, we investigate music therapists’ copyright-comfort-zone. In music therapy, using patient-preferred music yields superior therapeutic results: The rub is that patient-preferred music is often copyrighted music. Therapists are comfortable using copyrighted music in private therapy sessions, but copyright concerns arise when recorded artifacts from therapy are shared online. Social media affordances permit sharing of therapeutic artifacts outside the private therapy bubble. Notwithstanding the desire and affordances to share therapeutic artifacts online, our results show that music therapists discourage social media sharing. Music therapists act as copyright gatekeepers not only to avoid legal liability, but also to forestall emotional harm to patients and families should these artifacts be subject to an online takedown notice. Our findings inform a more nuanced framework for understanding copyright’s influence on sharing digital artifacts.

Author Biographies

Amanda Reid, UNC Chapel Hill

Assistant ProfessorHussman School of Journalism and Media904.482.8702

Pablo Miño, University of North Carolina at Chapel Hill

PhD student, School of Media and Journalism, University of North Carolina at Chapel Hill

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Published

2021-01-29

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Section

Articles