Theorizing the Korean Wave| Transnational Proximity of the Korean Wave in the Global Cultural Sphere

Authors

  • Dal Yong Jin Simon Fraser University

Keywords:

transnational proximity, cultural proximity, globalization, Korean Wave

Abstract

This article analyzes several distinctive Hallyu contents to determine whether “transnational proximity” based on similar sociocultural experiences, including social inequality, youth culture, and fascinating choreography in the late-stage capitalist society, instead of traditional cultural proximity, works as a major frame in understanding the global popularity of the Korean Wave. Here I articulate whether transnational proximity works as a new theoretical framework for explaining the nascent flow of Korean popular culture in the global cultural sphere.

Author Biography

Dal Yong Jin, Simon Fraser University

Associate Professor.He finished his Ph.D. degree from the Institute of Communications Research at the University of Illinois at Urbana Champaign in 2004. His major research and teaching interests are media industries, new media and convergence, globalization and media, transnational cultural studies, telecommunications policy, and the political economy of media and culture. He is the author of a forthcoming book entitled Hands On/Hands Off: The Korean State and the Market Liberalization of the Communication Industry, and his recent work has appeared in several scholarly journals, including Media, Culture and Society, Games and Culture, Telecommunications Policy, Television and New Media, Information Communication and Society and Javnost-the Public.

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Published

2022-12-29

Issue

Vol. 17 (2023)

Section

Special Sections

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