Modes of Recognition and the Persistence of Center-Periphery Constellations in the Digital Public Sphere

Authors

  • Patrick Donges Leipzig University, Leipzig, Germany
  • Christian Pieter Hoffmann Leipzig University, Leipzig, Germany
  • Christian Pentzold Leipzig University, Leipzig, Germany

Keywords:

public sphere, networked publics, center, periphery, counterpublics, social media

Abstract

The digital public sphere is characterized by seemingly paradoxical tensions between centers and peripheries: While some actors leverage the affordances of digital platforms to garner attention and gain prominence in public discourse, others prefer to seek out a role of relative obscurity or even attempt to evade observation. These tensions challenge established public sphere theories that assume a uniform orientation and attraction toward a center. In this article, we argue that in the digital public sphere, four distinct modes of recognition emerge: attention, resonance, allegiance, and engagement. These modes induce persistent yet contingent center-periphery distinctions among actors, issues, and even entire arenas. Since modes of recognition can carry positive or negative valence, they can prompt a purposive orientation toward peripheries rather than centers. We discuss how digital platforms afford, manifest, and manipulate modes of recognition and how actors leverage positions of relative centrality or peripherality within and across digital arenas.

Author Biographies

Patrick Donges, Leipzig University, Leipzig, Germany

Patrick Donges is professor of communication studies at Leipzig University, Germany.

Christian Pieter Hoffmann, Leipzig University, Leipzig, Germany

Christian P. Hoffmann is professor of media strategy at Leipzig University, Germany where he serves as Co-Director of the Center for Digital Participation.

Christian Pentzold, Leipzig University, Leipzig, Germany

Christian Pentzold is professor of media and communication at Leipzig University, Germany where he serves as Co-Director of the Center for Digital Participation.

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Published

2024-10-14

Issue

Section

Articles