Historicizing <i>Cine Jóven</i> and Cuba’s Audiovisual Landscape: New Paradigms in Digital Media Production and Circulation

Authors

  • Diana Coryat Universidad de las Américas Facultad de Comunicación Quito, Ecuador

Keywords:

audiovisual policy, cine jóven, ICAIC, digital media, Cuban cinema

Abstract

The Cuban government’s response to the increasing ability of ordinary citizens and media makers to produce their own content has ranged from ambivalence to hostility, and such usage has challenged the state’s broad control of media production and circulation. In the audiovisual sector, this new media ecology, together with economic reforms that ignore the contemporary needs of artists and the declining relevance of the Cuban Institute of Cinematographic Art and Industry, is altering how films get produced and distributed. This essay analyzes the role that cine jóven is playing in the current media landscape. It argues that, despite formidable obstacles, a new generation of audiovisual producers are pivotal actors in the construction of a more pluralistic and democratic media landscape in Cuba. 

Author Biography

Diana Coryat, Universidad de las Américas Facultad de Comunicación Quito, Ecuador

Diana Coryat, Doctoral Candidate, (413) 461-3377Diana is a communications scholar, media educator and documentary media producer. Diana has a long history of media practice, teaching and scholarship, working with youth and women in the U.S. and Latin America. She is a founder of an acclaimed youth media organization in NYC. In 2007 she was a Fulbright Scholar in Cali, Colombia and worked with several youth collectives. She works at the University of the Americas in Quito, Ecuador, and conducting research on the reconfiguration of media power as it affects social movements. Her MA is from UMass Amherst and her BFA is from NYU's Tisch School of the Arts.

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Published

2015-06-30

Issue

Vol. 9 (2015)

Section

Articles

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