The Magical Neoliberalism of Network Films

Authors

  • Amanda Ciafone University of Illinois Urbana-Champaign

Keywords:

globalization, neoliberalism, network theory, network narrative films, political economy, international film markets

Abstract

Transnational network narrative films attempt a cognitive mapping of global systems through a narrative form interconnecting disparate or seemingly unrelated characters, plotlines, and geographies. These films demonstrate networks on three levels: a network narrative form, themes of networked social relations, and networked industrial production. While they emphasize realism in their aesthetics, these films rely on risk and randomness to map a fantastic network of interrelations, resulting in the magical meeting of multiple and divergent characters and storylines, spectacularizing the reality of social relations, and giving a negative valence to human connection. Over the last 20 years, the network narrative has become a prominent means of representing and containing social relations under neoliberalism.

Author Biography

Amanda Ciafone, University of Illinois Urbana-Champaign

Assistant Professor Department of Media & Cinema StudiesUniversity of Illinois Urbana-Champaign 217-300-0367

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Published

2014-08-14

Issue

Vol. 8 (2014)

Section

Articles

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